A Quarterly of Long-Form Criticism, Author Profiles, and Essays on the Slow Argument Between Contemporary Fiction and the Conditions of Its Publishing
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— Letters lightly edited for length —
Learn to write compelling Gothic fiction by mastering atmospheric settings, complex characters, and psychological tension.
— D. Hofmann, Berlin
Elevate your book club discussions of Rebecca Yarros's novels with targeted questions.
— L. Greenfield, Brooklyn
Krasznahorkai's long sentences have been called untranslatable so often that the cliché has worn smooth.
— M. Akhtar, Karachi
Re: The Difficulty of Translating Krasznahorkai, and What the English Versions Have Made Possible
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